A slice of life - day after day - in Haifa, where Moshe and Didi's marriage is on the rocks, affairs are casual, and Moshe's angst about health, his parents, sex, communication, and business are pervasive and existential. Moshe's mother is Jewish, his father an Arab; his father may or may not sell ancestral land; his wife and mistress have lovers, one is a close friend; much of Moshe's surroundings seem under construction or in renovation. A cousin watches a security monitor without comment. Is there allegory in this portrait of an anxious Israeli approaching middle age?
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